Score for the Road, Mixed Media, 1 x 3m, 2017, commissioned by South Melbourne Market
Mixed media installation at SO:ME space at South Melbourne Market
Score for the Road treats shards of recycling glass like jewels and uses them to represent musical notation in a graphic score. It responds directly to John Adams’s Road Movies, eliciting a sense of movement, musicality, play and a little dangerous adventure.
Original sketch for Score for the Road
Studio Street, Kiln Cast Glass, 38x16.5cm, 2005
Seeds, Kiln Cast Glass, 26cm x dimensions variable, 2004
Three Maquettes for Empty Vessel sculptures, Aluminum, dimensions vary, 2017
A Silly Phase, Silver, 26 x 22cm, 2015
Prayer Wheels, Silver and Copper, 20cm x dimensions variable, 2015
Sentinel, Aluminium, 19x80cm, 2005
Forming, Crayon on Kozo, 65x98cm, 2016
This is Where 2, Crayon on Kozo, 65x98cm, 2016
This is Where 5, Crayon on Kozo, 65x98cm, 2016
Untitled , Crayon and Ink on Kozo, 50x33cm, 2016
Untitled, Crayon and Ink on Kozo, 50x33cm, 2016
Self Portrait, Photograph, 8x10in, 2015
Life Will, Photograph, 8x10in, 2014
Miami, Photograph, 8x10in, 2017
Open, Photograph, 8x10in, 2016
Untitled, Photograph, 8x10in, 2014
Untitled, Photograph, 8x10in, 2015
Untitled, Photograph, 8x10in, 2015
Yes Please, Photograph, 8x10in, 2015
I Am Here, Photograph, 8x10in, 2017
Encased, Cast Concrete, Resin and Wood, 800 x 300cm, 2004
Alley, Mixed Media Installation and Performance, 2017, Image by Ceri Hann
Flags printed with frottage images from the bluestone laneway where a ceremony was performed. The ceremony addressed heat, flow, transmutation, cooling and settling.
Alley, Image by Ceri Hann
We have each flowed from our pasts to this moment. We reflect on our own transmutations. We ask ourselves, "What did I bring with me?" And I ask you - What will you choose to bring with you from this place as you flow into your next state?
The Generative Subtext
A collaborative film installation project proposal with my father, exploring movement, migration, travel, and family history.
my great grandfather in Russia
my childhood home
a note from my father
an advertisement for a film opening
Motherhood Begins with a Trip Across the World Together, Photograph, 8 x 10in, 2005
and a self-portrait before there were selfies
These images are of projects I am dreaming of, planning for, or are on exhibit right this very moment.
Study for Desire, installation coming early November at Gasworks Arts Park
Trees throughout the park will be sharing their secret skins with exhibition visitors. Kozo paper, luxuriously related to silk through the mulberry tree, will wrap their trunks and provide a gentle canvas. Frottage will reveal the bark underneath as abstract graphic imagery, transmuting daily beauty.
Study for Desire
Study for Specific Beauty
Specific Beauty is a rolling installation of advertising-style prints, shown serially, allowing viewers to engage with the image gently. You do not need to stop and examine this artwork - there will be another down the street. It might even become familiar. Seriality also serves to elicit a sense of rhythm, bringing visual experience to the physical movement of walking and inviting a sort of embodiment.
Opening at MoreArt in October
Study for The Hero's Journey
The Hero's Journey celebrates the adventure of daily life and the opportunities we all have for joy and wonder. Frottage reveals patterns in the textures left on the nearby playground's lion by small hands playing games of bravery and exploration.
Opening in November at Immerse
Endpapers, Fabric, 8x8m, 2017
A sketch for our collaborative large fabric installation project at RMIT's New Academic Street, created and installed with the fabulous Yuting 'Tia' Shen, Samantha Harlow-Black, and Susan Maco Forrester